J. G. Hiestand, Official Photographer of the Manitou and Pikes Peak Cog Railway

Joseph Gonder Hiestand was born in Lancaster County, Pennsylvania, on August 15, 1860, to John Valentine Hiestand and Eve Ann Gonder Hiestand. His father worked as a coachmaker and later served as a clerk in Washington, D.C.  While in Washington, Joseph visited the Smithsonian Institution and developed an interest in mineralogy. He trained at Philadelphia’s Academy of Arts and Sciences and soon began assembling his own collection of minerals. 

In the early 1880s, Hiestand settled in Manitou Springs, Colorado, a tourist town renowned for its healing mineral springs, particularly the Ute Iron Springs. Hiestand opened the Manitou Scientific Museum in the pavilion of the Ute Iron Springs to showcase his collection of rare minerals–one of the largest in the West. His museum, a 25 x 40-foot room, was elegantly furnished and lined with display cases for mineral specimens, jewelry, and curiosities. The space was adorned with pictures as well as taxidermied animals and birds. Hiestand hired four men to work at the museum. A complete range of cigars, candy, and lemonade made from the iron-rich water was available for sale.

Ute Iron Springs
William Henry Jackson, photographer. Ute Iron Springs Pavilion, circa 1890. Denver Public Library Special Collections, WHJ-888.
Detail of Hiestand's photo studio
Detail showing Hiestand’s photo gallery

In the spring of 1887, Hiestand leased the Ute Iron Springs, one of Manitou’s most popular tourist attractions.  On March 28, 1889, Hiestand married Aline Zerelda Garrison Adams in Colorado Springs.  In addition to running the springs as a concession, Hiestand opened a photographic gallery at the Iron Spring Pavilion in July 1890. He became one of the best-known businessmen in Manitou Springs by managing both companies.  The gallery was under the day-to-day oversight of George E. Mellen, a photographer from Colorado Springs who was a former employee of William Henry Jackson, while photographer Lewis Imes oversaw portrait work.                   

Just inside the gallery, patrons entered a reception room filled with photographs from around the world.  Off the reception room was the operating room with floors of oiled Georgia pine and a skylight with panes of ground glass that let in a soft, mellow light.  The studio contained many backgrounds and screens for portrait work. Another room was devoted to making bromide enlargements and lantern slides.  A short stairway led to the flat roof of the building where large-size work could be printed by the sun’s rays.  Once developed, the prints were placed in a toning bath and then washed. A special set-up was devoted to panoramic work.  

When the 8.9-mile Manitou & Pikes Peak Railway began transporting passengers up Pikes Peak via steam-powered locomotives, Hiestand became the line’s official photographer. He took group portraits of the passengers at the summit and then sped down the rails on a go-devil–a single-person vehicle that quickly descended the slope. There, he developed the negatives and printed the photographs to sell to the passengers as they disembarked from the train. 

Pike's Peak
J. G. Hiestand, photographer. On Pikes Peak, alt. 14147 ft., Sept.1, 1892. Denver Public Library Special Collections, Z4962.
Group portrait
J. G. Hiestand, photographer. Group portrait, including Mildred Mary Myers (1871-1943) top left, John S. Cravens (1871-1946) bottom left, and possibly Mr. and Mrs. S. Christy Church (top right), August 1890. Albumen silver print. Collection of the author.

Ute Iron Springs was a popular tourist destination attracting well-heeled visitors from across the United States.  The families of  Mildred Mary Myers and John S. Cravens came to Manitou Springs from Kansas City, Missouri in the summer of 1890, where their friendship blossomed.  Miss Myers was the daughter of George S. Myers, a millionaire tobacconist.  John Craven was a graduate of Yale University. They married on December 28, 1893, in Missouri.

Hiestand’s photographs were published in several souvenir booklets of Colorado Springs, and the Pikes Peak region.  After nearly two decades of leasing the Ute Iron Springs, Hiestand purchased the property for $20,000. Based on his visit to the famous mineral baths in Saratoga, New York, he planned to invest $5,000 in improvements, including enlarging the pavilion and adding a hard-wood dancing floor.

In 1906, Hiestand was sued for $50,000 for breach of promise by Ida Clarke, a young woman who claimed she did not know Hiestand was married when she engaged in a romantic relationship with him. She attested that Hiestand promised to marry her. The sensational trial revealed that the young woman was under the age of consent when the couple took a prenuptial honeymoon. They had frequently registered at a Denver hotel as husband and wife. She lived at his home in Manitou for two years while Hiestand’s wife and three daughters were living in New York. The jury was unable to agree and was dismissed. Rather than go through another trial, the parties settled out of court. Miss Clarke’s settlement was disclosed as $16,000.

Hiestand died on January 1, 1916, when a gun he was cleaning discharged.  The bullet passed through his right side and lodged in the wall behind him.  Whether it was a suicide or an accident was never fully determined.  He was buried at the Middletown Cemetery in Middletown, Pennsylvania.  

Special thanks to Beverly W. Brannan, whose thoughtful feedback helped shape this piece. Dave Wendel, Digital Archives Specialist, at the Penrose Library — Regional History & Genealogy, Pikes Peak Library District provided valuable reference assistance.

 

Photographers Active in Greeley, Colorado in the 1890s

This post identifies studio photographers active in Greeley in the 1890s. See my earlier posts for photographers working in the 1870s, early 1880s,  and late 1880s.  Did I miss any photographers?  Can you provide any additional biographical details?

1890
Harry G. Townend
(1862-1928) was born in Ohio to British immigrants Henry Townend and Christiana Garthwaite Townend.  By 1870, the Townend family lived in western Massachusetts.   In 1884, H. G. Townend began his professional career as a Fitchburg (MA) National bank teller.  Townend resigned from the bank in 1889 and moved to Greeley, Colorado to improve his health.  A mount credited to Townend features a portrait of Greeley high school class of 1890, one of his only extant photographs.  Townend and his wife, Susan Amelia Upton Townend, returned to Massachusetts in June 1890.  He resumed his banking career, ultimately becoming a bank president.  Townend died on December 24, 1928, after a long illness.  His remains rest in Fitchburg’s Forest Hill Cemetery.

Classroom
H. G. Townend, photographer. High school class, 1890, City of Greeley Museums, Permanent Collection, AI-2440.

Frank Knapp (1862-1894) Born in in Tompkins County, New York, Knapp learned photography in Ithaca, New York with William Frear.  After a brief time working in a New York City gallery, Knapp took a position at  J. W. Taylor’s studio in Rochester.  In 1889, he opened his own business at 138 East Main Street.  His business struggled and Knapp pursued a photography position with John C. H. Grabill in South Dakota.

Grabill advanced travel expenses to Knapp, but he never arrived.  Instead, Knapp spent a couple of months working for M. E. Chase in Greeley.  When it became known that Knapp had failed to show up at the Grabill studio, Grabill received a flurry of letters from Knapp’s former employers describing his poor work habits.   M. E. Chase reported that Knapp was the first person he had ever fired, claiming that Knapp took every opportunity to avoid working.

Knapp walked more than 300 miles from Greeley to  Deadwood, South Dakota, supposedly to honor his commitment to Grabill.  However, after working for a week,  Knapp requested an advance on his salary.  After receiving $15.00, he announced to his co-workers his intention to quit. When Knapp failed to show up for work on Monday,  Grabill had him arrested for obtaining money under false pretenses.

A few months later, Knapp found employment with  O. D. Kirkland in Cheyenne, Wyoming.  In 1892, he was working in Denver for H. S. Bellsmith.

On March 15, 1894, Frank Knapp passed away at the age of 31 in Riverside, California due to tuberculosis.  He was buried at Riverside’s Evergreen Cemetery.

Portrait of Lewis E. Imes. The Lansing Journal, April 10, 1907, page 1

Lewis E. Imes (1860-1932) learned photography in Chicago from Edward F. Hartley in 1880.  He worked as a photographer in several western towns, including with William Henry Jackson, in Denver, Colorado.  In May 1890, Imes (The Greeley Sun reported his name as Ives) managed Morton E. Chase’s Greeley gallery while Chase was away on a business trip.  In the 1890s, as a salesman for the American Aristotype Paper Company, he traveled to every state in the nation.  Imes settled in Lansing, Michigan in 1899, continuing to work in the photography field for three decades.                                                                                                                                                 

Erik Borklund, photographer. Unidentified man. https://tinyurl.com/ywajjc46

1891
Erik Borklund
was born in Sweden where he learned photography.  In 1891 and 1892, he worked in Greeley, Colorado at B. F. Marsh’s former location.  He may have moved to Chicago in 1892.  

Sadie E. Potter is listed as a photographer in the 1891 Denver City Directory, one year before working for William Henry Jackson as a clerk.  In February and March of 1891, she rented Benjamin F. Marsh’s Greeley studio offering cabinet photographs for sale.

Daisy Clark (1874-1960) worked for three weeks in M. E. Chase’s gallery.

Frank  E. Baker was Greeley’s most prominent photographer in the 1890s.  

Circa 1893-1900
Ammon Noah Weikert
was born in Pennsylvania on December 29, 1857, to Noah P. Weikert and Matilda Beck Weikert.  The 1880 census lists him as a farmer in Morton, Iowa.  In the 1880s, he worked as a photographer in College Springs, Iowa.  In 1887, he relocated to Indianola, Nebraska.  Around 1891, Weikert settled in Greely, Colorado.  He was employed in the F. E. Baker studio for many years and was also associated with the Opera House. Around 1910, he moved to Los Angeles, finding employment as an electrician.  Ammon N. Weikert died at his Inglewood, Califonia home on January 11, 1932.

1897-1898
Greeley Art Studio  
H. S. Lipshitz and his wife ran a photo-enlarging business under the name Greeley Art Studio.

1898
Harry Arthur Orendorf
(1877-1901) was born in Oakland Center, Wisconsin.  He grew up in Hebron, Nebraska.  Orendorf worked for Morton E. Chase in Greeley during the summer of 1898.  He died on April 3, 1901 of typhoid pneumonia. At the time of his death, he was employed as a clerk in Pueblo, Colorado.   Orendorf was buried at Mountain View Cemetery in Pueblo.  

1899
Mathias Forsdahl
was born in Scandinavia around 1848.   By 1875 Forsdahl worked as an upholsterer in Minneapolis, Minnesota.  Around 1886, he moved to Colorado Springs, Colorado, selling second-hand goods and continuing to work in the upholstering trade.  In 1888, Forsdahl was listed in the Colorado Springs city directory as a photographer.  He relocated to Greeley, Colorado by 1895, first as a second-hand goods dealer, then between 1899 and 1900, as a photographer.  Forsdahl died on August 30, 1904 after a short illness.  He was buried at Greeley’s Linn Grove Cemetery.  

Thank you to Beverly Brannan for proofreading this post. Miranda Todd at the Greeley Museum provided research assistance.