My last post looked at D. B. Chase’s early career in Trinidad, Colorado, and New Mexico. This post examines the final years of his career.
D. B. Chase, photographer. Unidentified man, 1890s. Collection of the author.
In 1891, Dana B. Chase opened a studio in Denver, Colorado, with his wife Belle. In the capital city, they concentrated on portrait photography, rather than views. They acquired new backgrounds from the well-known artist, Seavey of New York.He advertised in a national photographic journal for a printer who could also work as an operator. During this period, the card mounts were imprinted with either “D. B. Chase” or “Chase.”In 1897, when Denver photographers organized a professional association, Chase served as first vice president.
Chase, photographer. Woman with cats, 1890s. Collection of the author.
In December 1897, Belle Chase filed for divorce, alleging that her husband had been intimate with a woman named Fanny Smith in the fall of that year. The divorce was finalized on April 26, 1898. Under the settlement, Mrs. Chase acquired the Chase studio on Denver’s 16th Street, along with all its equipment. The day after the divorce became final, Dana married Fanny Smith.
After the divorce, Chase sought a new studio location, and, with much fanfare, headed back to Pueblo, the site of his first Colorado studio.He purchased a gallery and outfitted it with new cameras and backgrounds.Crowds flocked to inspect the sample photographs displayed outside his workplace. But he did not remain in Pueblo long.In August 1899, Chase sold his Pueblo studio and moved west with his new wife.
In October 1899, Chase opened a photo studio in Salt Lake City, Utah.The gallery was described in the Salt Lake Tribune ashaving “The largest and best cameras, modern backgrounds and all of the very best accessories that money will buy, together with a convenient and commodious gallery impress one with Mr. Chase’s ability to equip and run a photograph gallery on strictly modern lines.”
By 1904, Chase’s third marriage was in trouble. Mrs. Chase left Salt Lake City and returned home two years later. Mr. Chase filed for divorce on the grounds of abandonment. Mrs. Chase was granted $40 a month in alimony, provided she did not remarry. She established her own photo studio in Los Angeles, California.
Dana Chase died of cancer on August 4, 1912, in Los Angeles. It is unknown why he was in California.Chase’s remains are interred at the Chapel of the Pines Crematory in Los Angeles.
Listen to this informative podcast for more information about Belle Boyd Chase
Dana Boardman Chase was born on September 20, 1847, in Waldo, Maine, to John A. Chase and Lydia Sylvester Lane Chase. By 1860, the family was living in Atchison, Kansas, where John A. Chase operated a photography gallery. His son, Henry A. Chase, also practiced photography in that city. Dana most likely learned the trade from his father.On September 16, 1863, at age sixteen, Chase enlisted in the Union Army as a private in Company F of the Kansas 13th Infantry Regiment. He served on garrison duty in Arkansas from March 1864 to January 1865.In March 1865, the regiment performed guard and provost duty at Little Rock until it was discharged in June.
Duhem Bros., photographers. Stock Growers Bank, Pueblo, CO, 1875. See Erie Photo sign at bottom right. Denver Public Library, Western History, x18626.
In the spring of 1873, Dana and his father arrived in Colorado. They worked together as Chase & Chase. A year later, after his father returned to Kansas, Dana and Henry O. Morris established the Erie Photographic Company in a red and white tent between Jordan’s store and the Lindell Hotel in Pueblo, Colorado. In January 1875, the men rented gallery space above Jordan’s store. That fall, they moved their gallery above Stockgrowers’ Bank, on Santa Fe Avenue.
In November 1875, Dana’s father returned to Pueblo for health reasons. He resumed work in the photography field, operating a photo car out of Las Animas, Colorado.
On May 11, 1876, Pueblo’s Colorado Daily Chieftain reported that “Mr. D. B. Chase and Henry O. Morris, of the Erie Photograph gallery, start out this morning in a photograph car for Cañon City and other points in southern Colorado, to take photograph and landscape views of mountain and plain—not forgetting Cañon’s big sideshow, the grand cañon. Messrs. Chase and Morris, are artists in their line of business, and we commend them to our friends all over the country.Mr. G. G. Withers, of the CHIEFTAIN corps, accompanies the out-fit as “special artist on the spot,” to do up accidents, arsons, murders, neck-tie festivals, Beecherism, or any other kind of ism, for the paper of vim, vinegar, vitriol and enterprise.”
D. B. Chase, photographer. Trinidad, Colorado from Simpsons Rest, ca. 1880. Amon Carter Museum of American Art, Fort Worth, Texas.
In the fall of 1876, Chase worked out of a tent gallery in Saguache, Colorado, a supply town for miners and settlers along theOld Spanish Trail, for about a month, making portraits.He then moved his tent to Lake City.On December 1, 1876, he married Ella May Burt in Saguache.They had five children, and one, Gladys, died a few days before her third birthday.He returned to Saguache in the summer of 1877.Later that year, he opened galleries in the mining towns of Alma and Del Norte, Colorado.The Del Norte business was a partnership with Danforth N. Wheeler. Dana’s father passed away on December 18, 1878, in Pueblo, leaving his estate to his wife and giving each of his children five dollars.
D. B. Chase, photographer. View of a Denver and Rio Grande Railway train, with a locomotive and mixed cars, at Mule Shoe Bend on Veta Pass (La Veta Pass). Denver Public Library, Z-5482
Chase operated the leading gallery in Trinidad for more than a decade. In 1884, he opened a branch gallery in Santa Fe, New Mexico, on the west side of the Plaza, selling local views to tourists. He advertised in Santa Fe’s Spanish-language newspapers, highlighting his experience with the Mexican community. During this period, he also made many portraits of Native Americans. He hired Eben B. Headley as the studio’s photographer. He maintained studios in New Mexico through 1891.
In 1888, he divorced Ella May and later that year married Belle Bybee in Santa Fe.Bybee was an experienced photographer, who had operated her own studio in Harper, Kansas.It is likely that Belle assisted Dana in the studio.In July 1889, Mr. and Mrs. Dana traveled to the Taos Valley to view pueblo ruins and cliff dwellings, leaving Frank E. Scott, Chase’s studio manager in Trinidad, in charge of the Santa Fe gallery.
Scott took over Chase’s new studio in San Pedro, New Mexico, with all the finishing completed in the Santa Fe studio.
In December 1890, Chase placed an advertisement in the St. Louis and Canadian Photographer, offering his gallery for sale, describing it as “cabinets $6 per dozen; best climate for cure of pulmonary troubles in the United States; military post with elegant band.” Chase sold his Santa Fe gallery to Thomas J. Curran.
My next post will examine the later years of Chase’s career.
I was on the road last week, visiting a couple of archives in southern Colorado, and thought I would share one of my favorite photographs from the trip. This photo by William E. Hook is from the collections of the Trinidad Carnegie Public Library.
It seems the photographer was having trouble getting the burro to face the camera, so he used a treat to get the burro’s attention. The man holding the treat may be Hook himself, based on portraits of the photographer.
William E. Hook, photographer. Summit of Pikes Peak. Altitude, 14,336 feet, 1890s. Trinidad Carnegie Public Library.
The strenuous hike to the summit of Pikes Peak usually took two days. In the summer of 1891, a cog railway reached the summit. The dapper man in the center of the frame likely took the cog railway to the top.
Detail of a dog sleeping.
Notice the dog sleeping in the lower right portion of the photograph. What else do you see?
Hook’s views of the Pikes Peak region were sold by the Fisher Brothers stationery store in Trinidad.
Back of card mount
William E. Hook was a longtime photographer who deserves a long blog post, but here is a brief biography.
Hook was born in England in 1833. His family moved to the United States when Hook was only one year old, but they returned to England by 1851. Hook married Eleanor Jane Dore on May 22, 1857, and they had six children. Ten years later, Hook moved to the United States, leaving his wife and children in England. It would be twenty years before Hook and his wife lived together again!
Hook worked in Wisconsin, Montana, and Canada before settling in Colorado Springs, Colorado, where he worked for about twenty years.
Stay tuned for more information on Hook and his photographs.
Thank you to Javonne Archibeque, Adult Programs & History Room Coordinator at the Trinidad Carnegie Public Library, who shared the collections with me.
Portrait of Rosa Goerke Braun Davis. Photo courtesy of Ancestry.com
Rosamund (Rosa) Goerke immigrated to the United States from Prussia in 1876 at the age of twenty. On September 11, 1878, she married Theodore F. Braun, a prosperous assayer and business associate of her brother Paul, in Pueblo, Colorado.In October 1880, after the birth of their first child and while pregnant with their second, Rosa traveled to Germany to visit friends and relatives.She returned to the United States in June 1881.In May 1884, Theodore Braun died, leaving Rosa, only twenty-eight, a widow with three children.
She ran a boarding house in Pueblo until her marriage to Ory Thomas Davis onNovember 21, 1888, in Walsenburg, in southeastern Colorado.During the summer of 1889, she opened a photo studio called the Home Gallery.
Walsenburg World, July 12, 1889, page 4, column 4.
After their son was born that fall, her husband took over the studio.
The Davis marriage was troubled.By September 1892, Rosa was using her former husband’s last name as she pursued a business selling a facial formula called Gloria water.When the divorce case came before a judge, Rosa stated that Davis had threatened to kill her and that she was afraid of him. In December 1892, the divorce was granted, with Rosa receiving custody of all four children.
In 1895, Rosa married F. William Rieke. The 1910 federal census lists Rosa as working on a fruit farm in California, and sharing a home with her son and daughter. She died on September 2, 1920, in St. Helena, California.
Does anyone have any photos by Rosa Davis? A future blog post will follow up on her ex-husband’s success as a photographer.
Fun fact: Her brother Paul operated a photo studio in Manitou Springs, Colorado, in the 1890s.
A photograph of a giant potato grown in Colorado became an international sensation in the 1890s. It started innocently enough. Joseph B. Swan was a successful potato farmer in southeast Loveland. In October 1894, a committee appointed by the Larimer County Commissioners visited the Swan farm, measured an acre of the land, and watched as the potatoes were harvested and weighed. The acre yielded 25,816 pounds of potatoes!
To attract public attention, the local newspaper thought it would be funny to photograph the farmer (although some reports suggest it was the photographer’s father) with a very large potato. Photographer Arthur H. Talbot posed the man with a giant wooden potato. Word soon spread across the country about the giant potato. A New York City attorney sent a copy of the photo to the editors of Scientific American, and they published the image in their September 28, 1895, issue. According to the article, the potato of the Maggie Murphy variety was “28 inches long, 14 in diameter, and is said to weigh 86 lb. 10 oz., which is equivalent to the weight of 1-1/2 bushels of ordinary potatoes.”
A. H. Talbot, photographer. Maggie Murphy Potato. Denver Public Library, Z-2982.
A subsequent issue of the Scientific American noted :“The photo. picture of the mammoth potato we published on page 199 proves to be a gross fraud, being a contrivance of the photographer, who imposed upon us as well as others.An artist who lends himself to such methods of deception may be ranked as a throughbred knave, to be shunned by everybody.”
Back of the giant potato photograph
People from all over the world requested information on how to acquire seed to grow their own mammoth potatoes. Others purchased copies of the photograph for twenty-five cents each.
Albert H. Talbot was born on August 18, 1862, to Nathaniel H. Talbot and Susan Ann Eaton Talbot in Dedham, Massachusetts.The Talbot family moved to Evans, Colorado, in the mid-1870s, where Nathaniel operated a photography studio. Arthur studied telegraphy and worked in the field for ten years, with jobs in Wyoming, Idaho, and Colorado.
Arthur married Miss Della Kempton on August 18, 1885, his 23rd birthday, in Longmont, Colorado.In the summer of 1892, Talbot opened a photograph gallery in Loveland, Colorado, operating out of a tent next to the Presbyterian church.He specialized in views and portraits.In 1893, Arthur’s sister, Almira S. Talbot, assisted in the gallery, where they offered crayon enlargements.
In late 1896, Talbot moved his studio to the photography gallery previously occupied by photographer Harold Fisk By June 1897, he had sold his studio to photographer Frank Reed. Reed’s tenure was short-lived, possibly because he did not advertise in the newspaper. In October 1897, Talbot was back working in his old studio on B Street. By December 1, 1898, Talbot had built a new studio at B and Fifth Streets. In 1899, Talbot purchased an Al Vista camera that took 180-degree panoramic photographs.
In 1900, Talbot bought new backgrounds for his studio.He displayed nearly 100 pictures of babies in his reception room. He sold Kodak cameras and also offered printing services for amateurs.In 1901, Arthur’s father moved to Loveland and helped with the photo studio.It is hard to determine who made the photos, as the mounts often credit only Talbot.In 1902, Talbot’s views were published in Loveland, Colorado, Illustrated, a view book showcasing the city’s businessmen.In 1903, Talbot began making flash light photos of interiors and night scenes of various businesses.That Christmas season, he offered a wide range of photo jewelry.
In 1915, Talbot moved to Trinidad, Colorado, where he worked for photographer Oliver Eugene Aultman. In the 1920s, Talbot relocated to Los Angeles, where he lived until his death on November 9, 1935.
Archie Hull Jones was born in Davenport, Iowa, on March 3, 1873, to Theodore M. Jones, a photographer, and Mary Eliza Rice Jones.The family moved to Moline, Illinois, in the late 1870s, where T. M. Jones continued working as a photographer.
A decade later, the Jones family moved to Grand Junction, Colorado.Archie’s father was the vice president at the First National Bank of Grand Junction.Archie secured a position as an assistant bookkeeper at the bank.On April 20, 1892, Archie married Gertrude Alice Quinn in Salt Lake City.
A. H. Jones, photographer. Three unidentified women with musical instruments. Collection of the author.
In December 1892, Archie and his wife moved to Moline, where Archie studied photography with E. E. Mangold.The following April, the Joneses returned to Grand Junction.Archie bought Mary Dudley’s photographic studio in the Bonnell block.He updated the studio’s painted background and learned to use flashlight to illuminate interior spaces when photographing events outside the studio or in private homes.
Archie had a lively group of friends he would bicycle with and go hunting.After one hunting trip, Jones made a souvenir featuring small mounted photographs showing camp scenes and men in their hunting clothes.He was a member of a local bicycling club and was appointed local consul of the national organization, the League of American Wheelmen.
In early 1896, Jones started prospecting for ore in Leadville, Colorado, and near Westwater, Utah. In May of that year, Miss Florence Potter, a young woman from California, opened a photo studio in the space Jones had used. Even after closing his studio, Jones joined a new camera club that had formed in Grand Junction in the summer of 1896, comprised of nearly twenty amateur members.
Jones spent most of his career as a mining engineer based in Salt Lake City, Utah. He passed away on May 7, 1943, at his son’s home. His remains are buried in Mount Olivet Cemetery in Salt Lake City.
The 222-mile Colorado Midland Railway ran between Colorado Springs and Aspen via Leadville, providing access to remote mining areas. The train also offered tourist excursions, often highlighting wildflowers along the route. Completed in 20 months, it was the first train to use standard-gauge rails over the Continental Divide in Colorado’s Rocky Mountains.
W. Ira Rudy, photographer. The Colorado Springs Fireman’s Band at the second excursion on the Midland, July 17, 1887. Albumen silver print on boudoir card mount. Colorado Springs Pioneer Museum.
Passenger service began in July 1887, between Colorado Springs and Buena Vista. At the end of August, 15 days earlier than expected, service was extended west to Leadville. This segment included thirteen bridges. West of Leadville, the train traveled through the 2,161-foot-long Hagerman Tunnel, crossing the Continental Divide, then the highest railroad tunnel in the world. On February 4, 1888, regular train service continued on to Aspen. The train provided a convenient route for passengers traveling to and from the Aspen mining district and, most importantly, it provided an economical way to transport ore to its marketplace.
W. Ira Rudy & Co., photographer. Trestle at the Loop. C. M. Ry. near Hagerman Tunnel, circa 1890. Collection of the author.
But the high-elevation route was plagued by snowstorms. During the first four months of 1899, the train was inoperable for seventy-seven days due to snow. These costly delays forced the company to travel through a lower-elevation tunnel, the Busk-Ivanhoe Tunnel. In September 1890, with mounting debt, the railroad was sold to the Atchison, Topeka & Santa Fe Railway, and its name was changed to Colorado Midland Railroad.
After several mergers, the Colorado Midland Railroad Company was legally dissolved on May 21, 1922.
Many photographers documented the Colorado Midland, including William Henry Jackson, Louis Charles McLure, and Harry Hale Buckwalter. This blog post will discuss the work of photographers J. L. Clinton and W. Ira Rudy, who photographed the railway in the late 1880s. They worked both in partnership and alone.
Rudy & Clinton, photographers. “Artist’s Nook, Green Mountain Falls, C. M. R’y, 1889.” Pikes Peak Library District.
The Photographers
James Luman Clinton was born on June 15, 1860, in Clintonville, Wisconsin, to Luman W. Clinton and Sarah Ann Sharp Clinton.When President Lincoln called for an additional 300,000 men to serve with Union troops in the Civil War, Luman Clinton volunteered with the 21st Wisconsin Infantry.In September 1862, he mustered into service, leaving his pregnant wife and three children behind.A month later, he died on the battlefield at Perryville, Kentucky.
The eight-dollar monthly pension Mrs. Clinton received was not enough to support her family. She operated a millinery shop until 1880, when the family moved to Madison, Wisconsin, which offered her children more educational opportunities. The city provided many job opportunities for the Clinton children.Eva, the oldest child, was employed as a seamstress, James worked in a printing office, while his younger sister, Lulu, retouched negatives at Andrew Isaacs’ photo studio.A year later, she died tragically in a boating accident.
In 1885, Isaac hired James as a photographer.The following year, James briefly worked in Cottonwood Falls, Kansas, before moving to Colorado Springs, Colorado, where his photographic career flourished.Clinton took over Franklin A. Nims’ studio at 18 South Tejon Street. He married his Wisconsin girlfriend, Emily Dodge Prescott, on May 5, 1887, in Colorado Springs.The couple was very active in the Baptist church.
J. L. Clinton, photographer. “Mess Wagon, Among the Cowboys, Shooting Craps.” Coutesy of Pike’s Peak Library
In 1889, Clinton partnered with W. I. Rudy.They served as the official photographers for the Colorado Midland Railway.In 1891, Clinton signed a five-year lease for a new ground-floor photography studio in Colorado Springs.In 1893, he traveled west to Glenwood Springs and later east toElbert, Colorado, making portraits, scenic views, and views of residential buildings.
By 1896, Clinton seems to have abandoned photography and invested in a new mining venture.A few years later, he owned a peach orchard in Palisade, Colorado.He expanded his farm to include cherries, potatoes, and alfalfa.
Mr. and Mrs. James L. Clinton died of pneumonia within three days of each other in January 1930.The couple was laid to rest at the Palisade Cemetery.They were survived by Mr. Clinton’s 94-year-old mother and their son and his family.
William Ira Rudy was the second child of Isaac and Sarah Ann Groff Rudy. He was born around 1855 in Stark County, Ohio. His father was a merchant in the dry goods business.By 1860, the family was living in Mendota, Illinois.In 1867, when Ira was about twelve years old, the family settled in Olathe, Kansas.
In August 1876, Ira and his older brother Dan opened a music, book, and stationery store in Abilene, Kansas.They sold Steinway & Sons pianos, sheet music, pens and paper, and even sewing machines.In February 1877, the brothers sold their interest in the business to their partner, B. F. Maxwell.In 1880, Ira moved 12 miles east to Chapman, Kansas, where he worked in a drugstore and taught a band music class.
On August 8, 1881, Rudy married Anna Rohrer in Chapman, Kansas.The following February, Ira and his brother, Dan, left Kansas and headed west.By June of that year, Ira’s wife had joined him in Colorado Springs, where they settled in Colorado.By July 1883, Ira had set up a “museum” filled with a “collection of odd and beautiful things, a capable taxidermist, who mounts or stuffs birds, skins of animals, in the best style; and a complete museum department, consisting of sheet and book music, violins, accordions, banjos, guitars, &c.”
Rudy employed people who traveled to Mexico and New Mexico to acquire Native American artifacts for the store.They brought back beads, blankets, pottery, and moccasins.Tourists could purchase items and have them shipped anywhere in the United States.A room in the back of the store housed live birds and animals, including a young antelope and a Golden Eagle.
W. Ira Rudy, photographer. The Hundley Stage Line to Cripple Creek Via C. M. R. R., History Colorado, object id. 95.200.898. Prior to the completion of the Midland Terminal Railway, stagecoaches and freight wagons connected the gold camps with the railroad.The circle and triangle design was used by the Colorado Midland between 1887 and 1905.
By 1886, Ira’s younger brother Frank had moved to Colorado Springs, where he worked as a painter and paperhanger, while Ira pursued scenic photography, a field he would work in through 1894. In 1889, Clinton partnered with W. I. Rudy.During this period, he documented the Atchison, Topeka and Santa Fe Railway and the Colorado Midland Railway. His work was published in the Midland’s circulars and publicity materials.
In 1896, Ira Rudy established a mining company with a group of Colorado Springs residents.This business was likely unsuccessful, as by 1900, Ira left his wife and young daughter and moved to Seattle, Washington.A few years later, he worked as a bartender in Los Angeles.In 1907, Anna obtained a divorce from Ira on the grounds of desertion.Ira Rudy appears in the 1910 federal census as a hotel clerk.I have not found any further information about him.
Thank you to History Colorado staff, and to Hillary Mannion, Archivist, Colorado Springs Pioneers Museum.
The Aultman Studio was a fixture in Trinidad, Colorado, for more than 100 years. It was started by Oliver E. Aultman in 1890, and he was later joined by his brother, Otis. After Oliver Aultman’s death in 1954, his son Glen ran the studio until his own death in 2000. The Aultmans produced very artistic portraits in a town of just over 5,000 residents. I will post more information about the Aultmans at a later date.
For Black History Month, I have selected one portrait from Aultman’s original negatives held by History Colorado.
Oliver E. Aultman, photographer. Private William W. Cobbs, 1894. Scan from original negative. History Colorado, object id: 2001.41.660.
William W. Cobb (b. c. 1874-1949), sometimes spelled Cobbs, served as a Buffalo Soldier in the 24th Infantry Regiment, Company F, stationed in New Mexico.
History Colorado uncovered the following information during the course of cataloging this. photograph: The 24th was commanded by Colonel Zenas R. Bliss (1835-1900) to keep peace in the southwest after the American Indian Wars. Cobb served with the 24th from 1891 until he was discharged in 1896. During the Pullman Strike of 1894, the 24th was one of the regiments sent to Trinidad to help subdue striking railroad workers. This brief stay in Trinidad would have given Cobb the chance to have his portrait taken by the Aultman Studio.
Cobb was born around 1874 in North Carolina. After his military service, he lived in Vincennes, Indiana, where he worked as a janitor at City Hall and later at the First National Bank. In 1901, he married a woman named Hattie, and they had a daughter, Ethel. In 1920, the couple divorced.
Shortly after his divorce, Cobb moved to Washington, D.C. In September 1928, he married Ruth L. Prather. Cobb died at the National Soldiers’ Home in Washington, D.C. He is buried with a military headstone at Arlington National Cemetery in Arlington, Virginia.
In the late 1870s, white settlers began to increasingly populate western Colorado, unsettling the approximately 800 Utes who resided on a reservation in the northwestern part of the state. Ute warriors led raids against the settlers. Their threats and intimidation made national headlines. The government appointed Nathanial Meeker, a journalist with no understanding of Native American culture, as the Indian agent for this region, known as the White River Indian Agency.
The sixty-one-year-old Meeker assumed his post in May 1878, traveling to the remote region alone. He and the agency’s interpreter repaired buildings and prepared a home for the Meeker family.
Bates & Nye, photographers. Portrait of Arvilla Meeker. History Colorado, 95.200.922
In July 1878, Meeker’s wife, Arvilla, and their youngest child, Josephine “Josie,” joined him at the agency. Meeker’s duties were to establish a school for the Indian children, educate the adults in farming methods, and introduce them to the ways of white civilization.
The Native peoples received food and supplies from the agency, but they preferred their traditional, nomadic way of life to learning from white agency officials. Mrs. Meeker operated a store and cared for the sick and elderly. Josie taught at the school, though only three students attended the boarding school. She visited the Ute camps and felt comfortable around the Native people.
In the fall of 1879, Meeker plowed up a horse pasture used by the Utes for grazing. In retaliation, a Ute named Chief Johnson shot Meeker’s horses. A fight ensued between Meeker and Johnson. Two other Utes joined in and left Meeker nearly unconscious. As the threats continued, Meeker sent a note to Washington about the situation, and troops from a nearby post were sent to protect him.
On September 22, 1879, Major Thomas Thornburgh led approximately 200 soldiers toward the White River Indian agency from their base near Rawlins, Wyoming. Four days later, en route, the soldiers encountered Ute warriors who tried to discourage them from continuing to the Indian agency; however, the troops moved forward. The Utes confronted the soldiers again and asked them not to cross Milk Creek. Disregarding the Ute leaders, Thornburgh’s men crossed the creek. The Utes fired on the troops, killing Thornburgh. The soldiers retreated, but the fighting continued. The Utes felt misled by Meeker and headed for the Indian agency.
Bates & Nye, photographers. Portrait of Mrs. Shadruck Price (Flora Price), 1879. History Colorado, 95.200.925.
On September 29, 1879, the Indian agency on the Ute Reservation in Meeker, Colorado, was attacked, killing Indian agent Nathan Meeker and his ten male employees. Five women and children were taken hostage at a remote mountain camp, sparking outrage among white Americans. The hostages included Meeker’s wife, Arvilla; his daughter, Josie; Mrs. Shadruck Price, whose husband was killed in the attack; and her two children. They were held for twenty-three days. During their captivity, the women, having seen their husbands and father killed, feared their future—would they be tortured to death or used as barter?
She-towitch, sister of the great Ute leader Ouray and wife of the White River Ute leader Canalla, ensured the hostages had food and helped care for the two young children. During their captivity, the women made clothes for themselves from Native American blankets and for the young Utes.
On October 21, 1879, Charles Adams, a general in the Colorado militia, rescued the women and children and brought them to Denver. During their stay in town, they were photographed by Bates & Nye.
Life After Captivity
Bates & Nye, photographers. Josephine Meeker, 1879. History Colorado, 995.200.928.
Josie Meeker worked in the office of the Secretary of the Interior at Washington, D. C., until her death from pneumonia on December 20, 1882, at the age of twenty-five.
Arvilla Meeker returned to Greeley and died in 1905 at the age of ninety.
Flora Price remarried and moved to the West Coast.
The Photographers Bates & Nye, a partnership between William L. Bates and Willis A. Nye, was located at the corner of Larimer and Fifteenth Streets in Denver. The firm opened in April 1879 and remained in business for about a year. Afterward, Nye moved to Leadville, Colorado, while Bates remained in Denver.
The firm is best known for its photographs of the women and children the Utes captured during the Meeker Massacre.The firm sold cabinet-sized portraits for 50 cents each. A group portrait was published in FrankLeslie’sIllustrated newspaper.
Engraving by photo by Bates & Nye. Colorado–The Late Ute Outbreak and Massacre at the White River Agency–Miss Josephine Meeker, and Mrs. Price and her Two Children, in the Costumes Worn by them when Captured. Frank Leslie’s Illustrated Newspaper, November 22, 1879, page 209.
William L. Bates was born in Ohio in 1843 to Aaron Tiffany Bates and Caroline Otis Bates.By 1867, the family had moved to Chicago, Illinois.Bates and his father sold farm machinery.A few years later, Bates became an agent for “health lift,” a total body exerciser.He married Ada T. Austin on January 4, 1872, in Chicago.
In 1876, Bates made at least three trips to Denver, Colorado, before moving there with his wife in 1879. He seemed to have some familiarity with photography before he arrived, as he opened the Bates & Nye studio with Dennis B. Nye in April. They worked together for a year.
In August 1880, Bates opened a gallery in the new Tabor Building at the corner of Sixteenth and Larimer Streets.The studio was located on the upper floor, away from the dusty streets.Patrons took the elevator to the fifth-floor reception room, hung with framed photographs from the studio.“Many of his customers claimed that the view of the western mountains from the reception room’s window is “worth the price of a dozen pictures.” Men and women prepared for their sittings in elegant toilet rooms.
The operating room, where patrons had their portraits made, was lit by diffused light from ground glass, rather than direct sunlight.Patrons could choose a background for their portraits—the studio had the largest collection of studio backgrounds in the West.At least some of his backgrounds were produced by New York City’s well-known artist, L. W. Seavey.Once the negative was exposed, it was processed in the darkroom and, when dry, moved to the retouching room.Bates offered mats and frames especially selected to enhance photos and portraits.
The firm produced a variety of portrait work, ranging from high school students and local businessmen to celebrities passing through town, such as Misses Curtis and Pinneo, equestriennes who competed in long-distance horse races.He copyrighted the latter portraits and sold them for 50 cents each.He exhibited his work at the Colorado Industrial Association’s annual exhibitions.
During the 1881 holiday season, Bates hired extra studio help, including Adolph Muhr as an operator.(Shortly thereafter, Muhr would become Bates’ partner.) The studio was even open for business on Thanksgiving Day.They promised a five-day turnaround for photos.
By early 1884, the firm was facing financial problems.They increased newspaper advertising in hopes of boosting sales, but in October, the press reported that Bates had sold out and moved to Chicago. However, he maintained businesses in both cities for a while.In Chicago, he worked under the studio name of Bates & Rocher, though Henry Rocher was not involved in the business.Meanwhile, the Denver studio operated from November 1884 to May 1885, as Bates & Webb, with John T. Webb probably running the business.
In May 1885, Bates returned to Denver for health reasons. He reopened his studio, exhibiting 100 new pictures from his time in Chicago.He operated this studio until September 1885, when he sold the business to John K. Rose, his longtime retoucher.
Bates and his family lived in Colorado for most of the 1890s.He worked in mining and later ran Denver’s Columbia Hotel.In 1898, the Bates family moved to Cleveland, Ohio.Bates died on March 2, 1909, leaving a wife and two daughters.He was buried at Mansfield Cemetery in Mansfield, Ohio.
Willis A. Nye was born on December 19, 1851, in Wisconsin, to Austin Nye and Betsey Atkins Nye.His father was a farmer who died of disease while serving in the Civil War.His older brother, Dennis B. Nye, also worked as a photographer.
Nye may have begun his photographic career in Springfield, Illinois, around 1872.In June 1873, he took charge of the operating room at C. L. Burpee’s studio in Beloit, Wisconsin.By 1876, Nye settled in Detroit, Michigan, working for three years at various firms as an operator and later as a studio manager.On August 15, 1878, Nye married Myra Augusta Jones in Detroit.
In 1879, Nye lived in Denver, Colorado, where he partnered with William L. Bates under the name Bates & Nye.After a year with Bates, Nye moved to Leadville, Colorado.Alfred Brisbois managed Nye’s Leadville studio, and when Nye moved to Chicago around January 1881, Brisbois took over the space.
Nye moved to Chicago, Illinois, where he joined John E. Beebe’s studio. In 1882, he took over the studio when Beebe shifted his focus to manufacturing dry plate negatives.The following year, Nye attended the annual meeting of the Photographers’ Association of America, where he exhibited his work.He invited attendees to visit his Chicago studio after the meeting to see a demonstration of the Beebe Dry Plates.
In 1887, Nye established a studio in Minneapolis, Minnesota, where his brother Dennis worked as a photographer. It was a brief stay, as he moved to Dubuque, Iowa, the following year.In the spring of 1890, he relocated his studio to Duluth, Minnesota.The St. Louis & Canadian Photographer published an example of his work in its June 1890 issue.In 1892, Nye appears to have left Duluth, but his wife is listed in the Duluth city directory as a photographer with Frederick Johnson.
In the mid-1890s, Nye, based in New York, served as a representative for Hammer Dry Plates.Later, he worked for Eastman Kodak.
Nye died on January 21, 1938, in Washington, D. C. at age 86.He was buried at Green-Wood Cemetery in Brooklyn, New York.
Amelia Norder was born in Sweden on June 22, 1871.As a young child, she immigrated to the United States with her father, Peter Norder, a blacksmith. She was raised by a family friend in Minnesota.
By 1888, Amelia was living in Denver and working as a clerk for photographer Joseph Collier.He noticed her artistic abilities and taught her the photographic trade.She mastered all phases of the occupation, from the operating room to developing and finishing photographs.Her artistic skills made her a natural as a photo retoucher.Norder worked for Collier for more than fifteen years.
Amelia Norder, artist. Portrait of Mrs. Libeus Barney (Miss Marilla E. Kendall), 1843-1925, oil painting. History Colorado, Object id, H.1148.2. Barney was wife of Colorado pioneer Libeus Barney. He built and managed the People’s Theater.
When she was not occupied in the photo studio, Norder worked with her oil paints in the back of the gallery. An article in the Denver Times (January 12, 1902) states that Norder learned portrait painting from Scottish-born artist John Phillips (1822-1890). Phillips had a national reputation as a portrait painter.
Norder’s first commission came from John McGilvray, the builder responsible for many of the buildings on the Stanford University campus. She was hired to paint portraits of his three daughters. She also painted many prominent Denver figures, including Davis Hanson Waite, who served as governor of Colorado from 1893 to 1895. The painting was displayed in the State House. It now belongs to History Colorado.
Portrait of Mrs. Amalia [sic] Ravnos. Portrait from California och dess Svenska Befolkning by Ernst Skarstedt, page 415.
Her warm relationship with her employer was displayed when Amelia married Ole Ravnos at Collier’s home on February 24, 1902.Ole, originally from Norway, worked as a builder. A few years after their marriage, the couple moved to Santa Cruz, California, where Amelia gave lessons in oil and china painting.Ole operated a photography studio, perhaps learning the trade from his wife.Amelia Ravnos passed away after a long illness on March 23, 1940.
Thank you to History Colorado staff Jori Johnson, Collections Access Coordinator, and Aaron Marcus, Digital Imaging Studio Manager and Associate Curator of LGBTQ+ History, and Amanda Clapham, Curation and Education at the Colorado State Capitol.